Category: articles

  • The Decline of Conceptual Art

    The Decline of Conceptual Art

    Those few people that have talked with me about art, something I am always excited to do, know I am not the biggest fan of conceptual art. I don’t dislike all of it, some conceptual artists have done some amazing things such as Joseph Bueys 7,000 Oaks Project. Always good to plant more trees, even if it’s labeled an art project. However, most of the time when I think about conceptual art I think of Paul McCarthy’s Class Fool performance in 1979, in which he threw himself around in a ketchup splattered room at UC San Diego until injured, vomited a few times and then inserted a Barbie Doll in his anus. Most of the viewers could not stand to finish watching the performance. This type of art makes for great headlines, articles, and conversations, but in the end I feel that this kind of art takes attention away from those artists that create something as skilled technically as it is conceptually, but lack the instant shock factor, or as Jonathan Jones states in his latest article “it’s a laugh, it’s entertainment, it’s spectacular, it’s cool … art now aspires to be all the things fashion is.” (source)

    Entitled Art As We Know It Is Dead, Jones talks about the idea that current art is over. It has shown itself as nothing more than “the decor of an age of mercantile madness”. To a certain extent I agree with this. One can no doubt look at pieces by Jeff Koons, Damien Hirst, and many more as art-factory-made products, in which the money attached to the piece is more important than the art itself. Of course many of the fans of lowbrow/pop surrealism know that not all current art is like this, and many of the ideas and political/social connections that the more public contemporary art is lacking, this scene is more attuned to. I often think of artists such as Francisco Goya, being inspired by the invasion of the French, created his timeless works The Third of May 1808 and The Disasters of War series and wonder where are the artists today that are creating art based on the issues that are going on in the real world. I think it’s great to be entertained, to escape, and most importantly laugh, but is that balance between reality and fantasy even there with the majority of the conceptual art world? I would like to see more reality based art in the contemporary scene we pay attention to, but I know it is at least going in that direction.

    Read the Article Here
    Above image is Medicine Cabinets by Damien Hirst.

  • Social Funding and the Arts

    Social Funding and the Arts

    For the past few years I have applied for various blog writing grants, and each time never made it past the first round of applicants. What a grant would mean for the site, is more contests, a better and more professional layout, and working on advertising the get the site out there more. The Creep Machine is doing well, but of course could always be doing better. However, the site is not doing well enough to get a grant. Every year I get denied and every year after I look to see if the winners are still going, and most of the time they are not. You might have a good idea for a site, but do you have the fire and ability to keep going for years? I’m not even posting as much on this site as I would like to be. Anyway, I as talking to some other artists about the whole “arts grants” area, and after talking with Arabella Proffer she wrote a post on her blog about her experience with grants, and the whole idea of social funding, such a sites like Kickstarter and Indiegogo. She sent over a version of her article to share with the readers, take a look and then comment with your experiences or ideas. Take it away Arabella.

    I see so many great artists, designers, creative entrepreneurs who apply for funding, and after going through the ringer, get denied. It seems that it you don’t fit into a certain stereotype—or aren’t already known—the traditional route of seeking business loans, grants from foundations and various non-profits is almost futile. This is especially true if what you are doing is something new, different, or in an industry/genre that these people aren’t familiar with.
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  • How to prepare your art for show and sale

    How to prepare your art for show and sale

    One of the most important things next to creating unique & interesting art, is how the art is presented and how you take care of the art when it is shipped to galleries and buyers. Presentation is a factor that is present in everything we partake of, whether it’s buying a new guitar, dining at a restaurant or staying somewhere while on vacation. If your dinner was just thrown down in front of you, and the place was dirty and the people rude, would you feel comfortable about spending your money there? Or if the hotel room clearly hadn’t been cleaned and was run down, or that special guitar you bought was shipped in a cheap box and poorly treated. You would no doubt question your purchase and steer clear of those places in the future.

    Buying and owning art is a luxury, and should be an enjoyable experience throughout. Especially when to many artists, the sale of original works of art means paying some bills, purchasing more supplies and eating a little better. There have been too many occasions where I have gone to art shows and witnessed art that was presented in a way, that it gave the impression the artist had little respect for the work they were showing. So hopefully this guide will be able to help in showing some of the best ways to have your art presented and prepared, as well as shipped.
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  • How to Throw a DIY art show that doesn’t suck

    How to Throw a DIY art show that doesn’t suck

    Here is an article that was submitted by Molly Crabapple, artist, writer, and creator of the very cool Dr.Sketchy’s Anti-Art School. If there is anyone with the knowledge to help make your art shows more of a success than they normally are, it’s Molly.


    Like many artists, you may be tired of waiting for a gallery to sweep you off your feet. You’ve sent your slide packets, you’ve written artist your statements, and you’ve received only discouraging silence in return.

    At this point, like many artists, you decide to grab fate by the balls. Why wait for a gallery to notice you when there’s wall space in the local cafe or club, practically begging to be filled. So, with courage and a portfolio, you approach the proprietor. And, unlike those galleries, he’s overjoyed. Of course you can have a show!

    You go home, head buzzing with visions of selling your artwork, and telling that gallery to go jump in a lake. But why is it that for all their promise, shows in non-traditional venues so often end in failure?

    Bad publicity, bad communication, and lack of confidence. And, using examples from my own life (some happy, some less so), I’m going to give you a roadmap for making sure your DIY exhibition ends in sweet victory, rather than my cheap-gin tears of defeat.
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  • Is going to school for art worth it?

    Is going to school for art worth it?

    The discussion of whether or not it’s a good idea to go to an art school, is one I have read, overheard and been involved in many times. It’s a difficult question, one with a potentially very expensive outcome. In some areas of art, I do think it could be a good idea to go to art school. Photography, graphic design as well as 3d animation have very technical aspects to them that can be cleared up from higher education. One could possibly teach themselves all these aspects, but it seems more likely that higher education will really help these disciplines. So for the sake of this article, I’m taking fine art and illustration as a kick off point.

    Reasons: So first of all we should figure out what the reasons there would be to go to art school to begin with. Of course the main reason should be learning new skills and honing the ones that you have. If you are lucky and don’t have to work while you go to school, you get the perk of being able to work on your art and thats it. Another perk that I have heard a few times is being surrounded by other artists. You get inspiration, learn tricks and form friendships with people that can alter your career for the better. Many colleges, such as the Academy Of Art claim to provide job placement once you are done with your stint there. Private art schools are also a good place to learn how to display your art, present it to potential clients and be prepared for the business side of the art world.

    The Costs: The most important detail about going to school, is ultimately how much you will be paying for it all. It is not cheap once tuition, living expenses, materials and health care (which many schools demand you have) are all added up. You could be pushing $30,000+ per year. On top of this, some schools such as California College of Arts add one extra year on, so if you already have your A.A. your looking at three years until you get your B.A. Not too bad really, one more year of learning can really help your craft but that one extra year will be very expensive. Another thing that I have noticed is that many of the best art schools are located in very expensive cities. San Francisco, New York, Los Angeles, Pasadena and others. If your aren’t living in a dorm the cost of living in these cities is really high.

    The Negatives: Everything has negatives, the idea is to minimize them as best as possible. Of course the cost of tuition is a big negative, but what are some of the other possible problems you might encounter? One of the main concerns I have had and one that I have heard from many others is getting stuck with bad teachers. I can think of nothing worse than spending all that money only to be taught by someone who shouldn’t be teaching. I have had some teachers that were quite hard to deal with, but they were still competent and very talented. I’m referring specifically to those teachers that follow the old saying “those who can’t do, teach”. Why learn from someone who in essence is a failed artist? You can help to avoid this however by checking out what others say about the teachers on sites like Rate My Professors.

    What about those schools that offer job placement? Academy of Art offers this and supposedly their success rate is in the upper 90%. I would love to see what kind of jobs these are and where they are. When I took a tour of the Academy of Art I asked about the job placement and they were very vague about the details, and it seemed that if you did get a job it would be right in the city the school is at. So if you want to stay in the city you learned at, then you might just have a job waiting for you. As far as fine art goes, a degree from an art college will not guarantee your success in the gallery scene. I have seen artists with no degree sell out shows, and artists with degrees bomb. It’s about the art and area really.

    The Alternatives: If you still feel the need to get a degree you could always go to a state college and concentrate on art there. Many state colleges often get overlooked and many have very good art programs. San Jose State University is a great example. They have classes in a huge variety of mediums and I have yet to hear bad things that would really push me away. The tuition is also 1/10th of the price of a private art school. There are also Ateliers that you can learn art, the most popular one is the ConceptArt Atelier, these are very hard to get into. So ConceptArt puts on these weekend learning workshops once a year. The industries best artists share their tips and tricks there and you get some hands on training. Shawn Barber stated that “these workshops are superior to any education you could ever receive in four days, anywhere. It rivals a four year experience”. I would go to these weekends anyway, every artist I have talked to so far has said that they learned the most on the job as opposed to in school. So these workshops are kind of like that.

    There are also sites like Imaginism Studios and Entertainment Art Academy where you can learn online from some of the best in digital illustration. But what about the perk of being physically around other artists and forming friendships and learning skills? You could always start a drawing group in your city, see if there are any life drawing groups or maybe even a Dr. Sketchy’s. If there isn’t one Molly Crabapple (the creator) can show you how to start your own.

    When it comes to the business end of art and displaying your your work, you don’t need an overly expensive art school to teach you how to do that. Learn from others who have gone to art school. ImagineFX magazine also has a lot of articles dealing with this, and you could always join forums like the ConceptArt forum and ask around there.

    Conclusion: Regardless of what this article may come off like, there are positives to going to art school and I have met many people who are happy with their decision to go. I just want people to be aware of the possible negatives and to know that this is not a necessity. Many artists do quite well without ever going to art school. If you feel that the extra education could help, maybe give the state college a try or check out one of the alternatives I have listed above. If you have any ideas that I might have missed out on, please feel free to leave them in the comments area.

    Edit: I would like to add one thing that has come up recently. In my own experience in looking at local colleges, many of them don’t have programs setup to really take advantage of what is going on in the art world right now. Digital illustration, advanced computer arts programs and so on. Many of the schools are also filled with teachers stuck in the 70’s. You don’t need a professor that will paint or draw like you want to, but you also don’t need a professor that might have skipped out on some good lessons so that they could further their style which is now dead. Private art schools often have young fresh teachers, and many programs in computers and illustration.

    Image: Abandoned Art School by Tiffany Bailey. 2011.
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  • Best ways to show your art on the web (Revised 2013)

    Best ways to show your art on the web (Revised 2013)

    This article is inspired by an article over at ‘Lines and Colors’ called: “How Not to Display Your Artwork on the Web”. It’s a great article, quite sarcastic but there are some great tips there. In the many years that I have been running the Creep Machine, looking for featured artists, images for art of the day & prints and originals for sale, I have seen some amazing web sites and some really bad ones. So I decided to write down some tips, to make sure that your art gets seen. (Last Edited Jan 2013)

    Of course this whole article is filled with my opinions, but as someone who spends hours a day looking at art as a fan and webmaster, I have collected some great tips and tricks to make showing and selling your work online an enjoyable process. So let’s get started.
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  • Guide to buying art/prints on ebay

    Guide to buying art/prints on ebay

    Besides buying art off of the original creators website, or even through a gallery, another potentially good resource of buying art is through auction sites like eBay or Etsy.

    Along with the good deals, is also the probability of problems. So this lil article is basically just giving readers a heads up on what to watch out for.

    1. Its ideal if you are given the provenance of the art, or the origin or source of where the art is coming from. This is also very helpful when the piece is quite expensive. Provenance is one of the perks of buying from galleries, since you know who had it before you. Many artists also sell their art directly through eBay or Etsy for example. So if you know its the actual artist selling the work then you know your safe.

    2. Watch out for print auctions, where the print might have been made from a photograph of the work. Ive seen it a few times where the seller had simply taken a photo of the work, and then have prints made. This is a waste of your money, and it doesn’t help the artist out at all. This goes along with copies of prints. Its good to know if the print has a number attached to it, as in #24/100. If you can, check the artists site and see if a limit has been put on the print your looking at.

    3. Another type of auction that I have seen quite often, is prints that are being removed from books or publications. I’m not quite sure how the artists take this, since it does come from a book that was sold, but as a buyer you are not getting a nice large, collectible print.

    4. On eBay especially there are many art specific sellers, try to stick with them if you can. Or make sure you check out the feedback of the seller, and take a look at what they have sold. If they have sold art before, you know they hopefully know how to treat art.

    5. Finally, make sure you can really look over the art. Nice clear pictures of the “actual” art is ideal, not just pics of the art taken from other sites. It’s always nice to see the art in person such as in a gallery, but if you are using auctions sites ask the seller for better pics of the work. If they wont give them up, then be wary, don’t waste your time.

    Image: Print “The Gambling” by Alberto Cerriteño